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Cyberia Psychedelia : Timothy Leary and the Counterculture in Cyberspace
https://iwate-u.repo.nii.ac.jp/records/12846
https://iwate-u.repo.nii.ac.jp/records/128461ec0edae-0681-41e9-bb8b-27fdd7b215a0
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
lca-p267-276.pdf (490.9 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
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| 公開日 | 2010-03-23 | |||||||
| タイトル | ||||||||
| タイトル | Cyberia Psychedelia : Timothy Leary and the Counterculture in Cyberspace | |||||||
| 著者 |
長岡, 真吾
× 長岡, 真吾
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| 著者別名 | ||||||||
| 姓名 | NAGAOKA, Shingo | |||||||
| 著者(機関) | ||||||||
| 筑波大学, （現）島根大学法文学部 | ||||||||
| Abstract | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | Maybe it's a mere coincidence that William Gibson's Neuromancer(1984) was published only a year after Timothy Leary's autobiography Flashbacks(1983). It seems, however, that this coincidence may suggest interesting synchronicity. Neuromancer is a classic, a bible, and a forefather of the 1980s' Cyberpunks, which at once opened up new territory in not only the field of SF but the whole field of contemporary fiction. And in '90s it is still re-presenting itself as a fast-speaking yet trustworthy prophet as the Cyberspace actually keeps expanding towards the closing of the twentieth century. Flashbacks, on the other hand, though ordinary in style compared with Neuromancer, survives as also a classic, if not a bible any more, of those who believe, or believed, in the potentialities of the '60s' Psychedelic Revolution. | |||||||
| 出版者 | ||||||||
| 出版者 | 岩手大学人文社会科学部 | |||||||
| 登録日 | ||||||||
| 日付 | 2010-03-23 | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| 著者版フラグ | ||||||||
| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
| 書誌情報 |
言語と文化の諸相 p. 267-276, 発行日 1999-03-10 |
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